The stories on display are rooted in memory and moral questioning. These sculptural creatures are not simply metaphors, but companions and provocateurs, figures through which we negotiate our own humanity. By shifting between familiarity and strangeness, the sculptures may evoke the uncanny and sometimes approach the threshold of the abject. My work challenges viewers to confront what they reject, overlook, or sentimentalize in the nonhuman. These disruptions do not seek to repel, but to expose the fragile boundaries of control and selfhood. These animal figures serve not only as sculptural forms but as ethical mirrors, returning the viewer’s gaze with intelligence, absurdity, and undeniable presence.